发布网友 发布时间:2022-04-21 23:56
共2个回答
热心网友 时间:2023-05-08 11:20
范文:The background is the 1930s, when "American political corruption has come to businessmen" and even spread to prisons.
In the story, Andy, a young banker, was sentenced to life imprisonment because his wife and her lover were killed.
Due to the corruption of the prison, he still couldn't get the snow when the truth was about to come out. Instead, he suffered all kinds of mental and physical devastation in Shawshank prison.
However, Andy was not destroyed by his ill fated fate. After more than 10 years of relentless excavation, he finally climbed out of the 500 yard long sewage pipe on a thunderstorm night, regained his freedom and lived a free life on the coast of Mexico.
背景是20世纪30年代,那时,“美国的**已经到了商人面前”,甚至波及到了监狱。故事中,年轻的银行家安迪因为妻子和她的情人被杀而被判无期徒刑,由于监狱的*,他在*即将大白的情况下仍然得不到昭雪,反而在肖申克监狱饱受了各种精神上和肉体上的摧残。
然而,安迪并没有被多舛的命运毁掉,他经过10多年水滴石穿般地不懈挖掘,终于在一个雷雨交加的夜晚,从500码长的污粪管道中爬出,重获自由,在墨西哥海边过上了自由人的生活。
热心网友 时间:2023-05-08 11:20
THE SHAWSHANK REDEMPTION
A film review by Jeff Pidgeon
Copyright 1994 Jeff Pidgeon
THE SHAWSHANK REDEMPTION is a strong debut for director Frank Darabont, a screenwriter who sold the script on the provision that he could direct it. This isn't a Film For The Ages, but it is involving and engaging for the majority of its 150-minute running time. Tim Robbins and Morgan Freeman are both fine as convicts who meet in Shawshank Prison in the late 40's and get to know each other as they do time together. The suspense mainly revolves around 1) whether Robbins will continue to survive prison life; and 2) whether he should be there at all. The script does a decent job of sustaining these elements and keeping the viewer in doubt. On the other hand, there are few moments in the story that, once they are revealed, are different than you might expect. For the most part, the satisfying option is usually chosen, the one that will make the audience happy. While this makes for an enjoyable immediate experience , the side effect is that the lack of genuine surprise makes it less enring than you'd like. On the whole though, aside from script weaknesses and implausibilities (more than a couple), the performances are uniformly strong, if a bit two-dimensional in spots, the period feel of the art direction is thorough yet understated, Thomas Newman's score nicely supports things and is emotional without being too overpowering or treacly. For a prison drama, the violence isn't played up particlarly, but this ain't FREE WILLY, either. For the curious, SHAWSHANK makes for a good night out, as the saying goes. If the concept doesn't grab you from the start, I don't know that it would win you over. Marginally Recommended.